Bloomin’ Jewels - Christopher Thompson Royds
Bloomin’ Jewels - Christopher Thompson Royds
Bloomin’ Jewels - Flora Bhattachary
Bloomin’ Jewels - Flora Bhattachary
Bloomin’ Jewels - Lina Peterson
Bloomin’ Jewels - Lina Peterson
Bloomin’ Jewels - Xenia Walschikow
Bloomin’ Jewels - Xenia Walschikow
 
 

Bloomin’ Jewels - From the 20th May to the 4th June

05.05.2017

To celebrate spring and coincide with the Chelsea Flower Show, the Chelsea Fringe and London Craft Week, CAA launches Bloomin’ Jewels, a selling exhibition of specially commissioned contemporary jewellery based on the floral.

This is the first exhibition on botanical motifs in contemporary jewellery in the UK.

22 jewellers have created completely new jewellery celebrating the floral, using a range of media from precious metals and gemstones to polyester and 3d printed nylon, and working with both historical and cutting edge techniques. Some like Silvia Weidenbach, Rebecca Wilkes and Xenia Walschikow have developed their own fantastical flowers, with no known antecedents or relations to normal blooms, but which pick up on their qualities of colour and exuberance. Several makers including Gill Galloway-Whitehead and Jonathan Boyd have drawn inspiration from the symbolism of the humble weed that peaks out from a crack in the pavement to become a symbol of resilience, continuity and survival.

The makers were invited to handle the collections at the Museum of London and in the company of Geoffrey Munn, jewellery expert on the Antiques Road Show and Wartski’s, jewellers by appointment to Her Majesty the Queen. to study the Wartski collection. The jewellers were so entranced by the en tremblant jewellery, gemstones set in delicate floral sprays on tiny springs that respond to the movements of the wearer, popular in the 19th century, that a number of jewellers have made their own 21st century versions. Like Sonia Cheadle’s seasonal diamond brooches, Kelvin Birk’s crushed gemstone brooches and circlet and Kayo Saito’s textile flowers. All respond to the wearers’ breathing and movement.

Makes also studied the symbolism of flowers, with Christine Lalumia, design historian and executive director of CAA. Christine Lalumia gave a seminar about the history of floral symbolism in the decorative arts, affording jewellers an insight into a form of communication of which most were ignorant, but which for centuries was readily understood by the community at large. This inspired several makers like Anna Gordon to create new work with a symbolic resonance.  

“Since the first of man’s ancestors used a bloom for self-adornment, botanical motifs have been a key feature of jewellery designs,” says Corinne Julius, journalist and curator, who guest curated the show. “However in the 1970s, studio jewellers became pre-occupied with ideas, rather than traditional concepts of beauty and preciousness. The floral was about prettification. It fell from favour and there it has remained. The idea behind Bloomin’ Jewels was to encourage or rather challenge, studio jewellers to look, perhaps for the first time, at how they might interpret the floral in contemporary ways.”

“I am delighted,” says Julius, “that so many jewellers agreed to look again at the floral, especially as several were chosen precisely because this is so outside their normal practice. I hoped that Bloomin’ Jewels would extend their practice and nudge them in new directions. All the jewellers have blossomed. Their works have given flowers a new place in the history of jewellery.”

 

Practical informations

Bloomin’ Jewels has been scheduled to coincide with the Chelsea Flower Show 2017 (23-27 May) and will be part of the Chelsea Fringe (20 May-4 June). The latter initiative celebrates the capital’s diverse gardens, green spaces, botanical and horticultural achievements, with a special focus on the experimental.

The exhibition is CAA’s main event for London Craft Week, which was established in 2015 to spotlight and celebrate crafts across all disciplines, whilst at the same time celebrating London’s rich history as a hothouse for making and creating.

 

Participating Makers

Bloomin' Jewels Bloomin' Jewels Bloomin' Jewels

Jewellers exhibiting include Zoe Arnold, Flora Bhattachary, Kelvin J Birk, Jonathan Boyd, Donna Brennan, Sonia Cheadle, Gill Galloway-Whitehead Anna Gordon, Dorothy Hogg, Andrew Lamb, Kathie Murphy, Lina Peterson, Wendy Ramshaw, Kayo Sato, Hans Stofer, Rie Taniguchi, Simone ten Hompel, Christopher Thompson Royds, Maud Traon, Silvia Weidenbach, Xenia Walschikow and Rebecca Wilkes.

 

Talks

All events will take place in the CAA gallery

  • 'In conversation' with Corinne Julius and participating jewellers Anna Gordon and Christopher Thompson Royds 
    • A London Craft Week event with Bucks Fizz followed by a talk and conversation with contemporary jewellery expert, Corinne Julius. An intimate session with limited places.
      Date: Saturday 6 May, 10.45am for 11am – 12noon
      Booking essential - tickets £12 each
  • Geoffrey Munn, on the floral in jewellery 
    • Jewellery expert and Managing Director of Wartski, jewellers by appointment to HM The Queen and expert on the Antiques Roadshow.
      Date: Tuesday 9 May, 6.30 for 7.00pm. Booking essential - tickets £12 each including a welcoming drink.
  • Christine Lalumia - Flower symbolism and its use in jewellery and other decorative arts 
    • A London Craft Week event. Executive Director of CAA; garden and design historian; formerly Deputy Director of The Geffrye Museum, where she created the period gardens in 1998.
      Saturday 6 May, 3.30pm – 5pm
      Tickets are free, but must be booked and include a welcoming drink.

 

Notes for Editors

Corinne Julius is an award-winning journalist, critic and freelance curator. She has written and broadcast across the applied arts and gardening and this exhibition combines her love and knowledge of both. As Guest Curator on ‘Bloomin Jewels’, Corinne has enriched the project with her passion for cutting-edge jewellery. She has a long-standing interest in contemporary jewellery and is extremely knowledgeable about materials, trends and current approaches to both design and making. Her understanding of the contemporary design world enables her to place this discipline in the wider context of decorative arts and design today. She is the Chair of the Visual Arts and Architecture Section of Critics’ Circle and she speaks frequently on silver and jewellery at many leading institutions. She curated Silver Speaks: Idea to Object at the V&A, which is on in the Silver Galleries until July 2017. She has also curated three critically acclaimed ‘Future Heritage’ exhibitions at Syon Park for Decorex, where she selects the best of contemporary British Craft.

Contemporary Applied Arts, or CAA, is known for its innovative and thought-provoking exhibitions and displays which is combined with a strong track record in providing educational outreach. It was established in 1948 to support and encourage the making of fine crafts in Britain – and to keep them firmly in the public eye. CAA is a membership organisation which boasts some of Britain’s most innovative and influential contemporary jewellers and our gallery in Bankside also shows a diverse and frequently-changing selection of one-off work, ranging from decorative to functional pieces and including ceramics, glass, furniture, metalwork, textiles, wood and paper.

 

Visitor Information

Opening times:
Monday - Saturday 10am-6pm
Admission is free

Contemporary Applied Arts
89 Southwark Street
London SE1 0HX

T: 020 7620 0086
E: jayne@caa.org.uk
W: www.caa.org.uk  
Facebook: www.facebook.com/ContemporaryAppliedArtsGallery
Twitter/Instagram: @CAAGallery

 

Press Information

For further press information and images please contact:
Christiane Eck on 020 7620 0086 or email christiane@caa.org.uk
Christine Lalumia on 020 7620 0086 or email clalumia@caa.org.uk 

 

History  

The acanthus and laurel adorned Greek and Roman jewellery, vines scrolled across the Byzantine, clover, rose and lily blossomed on the Gothic, whilst Elizabethan and Jacobean chains, rings and earpieces were composed of tiny enamel and gem stone flowers. Complete cornucopia and garlands of flowers festooned Renaissance jewels, whilst laurel and oak sprays of rubies and diamonds were a feature of Napoleonic jewellery. The early 19th century saw more delicate botanical compositions in clusters of seed pearls, but by mid-century more ornate assemblages of diamonds, often in the form of tremblers became popular. By the end of the century the swopping exaggerated forms of Art Nouveau jewellery blossomed in extravagant floral decorations in enamel, horn and glass and in the 20th century Bakelite and early plastics provided accessible floriated jewellery.